Week five was MILLINERY! I was excited for this week – making hats was always something I’d wanted to try, and it would be the first completely new skill I’d learn at RWCMD. The 3rd year BA’s (who did it last year) told us that we’d get to choose three hats to make: one felt, one straw, and one covered. With that in mind I spent the weekend researching Edwardian picture hats – but how on EARTH was I going to choose?!
Teehee, I love a good pun. Sorry guys – I didn’t even make any hose (though some of the other girls did and the results were fantastic), but I really couldn’t help myself. Anyway, yes, britches (or breeches) and hose! Or as this week was actually titled, men’s pattern cutting. We worked from a book called Pattern Cutting for Men’s Costume by Elizabeth Friendship, and it’s a similar method to how I drafted Ben’s tailcoat pattern at NCC. Instead of drafting straight to a specific pattern, though, we started with basic blocks and adapted those to different period patterns throughout the week.
We started on Monday by drafting blocks for bodices, sleeves, and trousers:
The shirt is FINISHED! The final button-loop got sewn on Friday afternoon, halfway through making up a pair of ethnic trousers (we’ll get to those in a minute). Day two and three of shirt construction went much smoother than day one – getting over my cold and having slept better probably had a lot to do with it. And you know what? The gussets really weren’t so bad the second time round. Behold!
So when I saw square cutting on the timetable for week 2, I assumed it was something I’d never done before. Turns out I have done it and just never knew that’s what it was called – which is silly in retrospect, as it literally is cutting squares:
I probably should have mentioned earlier, but this year I’m undertaking in MA in Theatre Design at the Royal Welsh College of Music and Drama in Cardiff. I had my interview back in May, and while I had a great time talking about my work, I walked out thinking there was no way they’d take me. My lack of formal art training seemed to be a real sticking point at the time – I guess it didn’t bother them too much since I received an unconditional offer about a month later.
Rebecca Rom 